Alwin Franke

Assistant Professor of German

Alwin Franke is Assistant Professor of German in the Department of World Languages and Cultures at Stetson University.

  • PhD Germanic Languages and Comparative Literature, Columbia University
  • MPhil Germanic Languages and Comparative Literature, Columbia University
  • MA Germanic Languages, Columbia University
  • BA Comparative Literature, Philosophy, History, Freie Universität Berlin

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Alwin Franke

Biography

Trained in comparative literature, philosophy and history at Freie Universität Berlin, Alwin received his Ph.D. from Columbia University. He specializes in German literature and critical thought with particular focus on their epistemic contexts in the sciences, media and the social.

Alwin is currently working on a book project entitled "Sign, Value, Form: Crises of 'Darstellbarkeit' in Literature, Mathematics, and Political Economy, 1850-1950," which traces the emergence of new symbolic practices and the concomitant representational crises in the exchange between literature, mathematics and political economy from Karl Marx and Bernhard Riemann to Sigmund Freud and Robert Musil. In a second project, he explores how the conceptual triad milieu-environment-Umwelt has shaped, in a dialectic of cut and immersion, our ways of imagining the relationship between an organism and its surroundings at the intersection of the biological and the sociological. 

Additionally, Alwin is interested in the global reception of German critical thought as well as the entanglement of philosophy and literature with racialized imaginaries from the 18th to the 21st century. He has published articles on the racial imaginary of German modernism and Leslie Marmon Silkos reception of Marx and Freud. He is currently editing and translating Gayatri Spivak's collected writings on Marx from English into German ("Spivak-Marx: Für eine globalisierte Politik des Lesens" ["Spivak-Marx: Toward a Globalized Politics of Reading"]). In a second editorship, tentatively titled "The Color of Difference," he is working on an English-language reader that revisits key texts from the German canon through the lens of postcolonial and critical race theory.

Inspired by his work for artist and filmmaker Hito Steyerl, Alwin is interested in developing new approaches that combine media theory with critical media practice in both teaching and research. 

More About Alwin Franke

Areas of Expertise

  • German literature and critical thought and their global reception
  • Global Marxism
  • Postcolonial and Critical Race Theory
  • Critical Media Theory and Practice
  • German Film and Video Art
  • Literature and the Sciences
  • Memory Studies

Course Sampling

  • Modern German Culture: Literature, Music, Film
  • Contemporary German Cinema & Video Art
  • Politics of Memory: Slavery, Colonialism, and the Holocaust in Art, Literature, and Film
  • Ideology and Mythology: From the Grimm Fairy Tales to Disney World
  • The Color of Difference: Race and the German Critical Tradition
  • Marx, Wagner, Freud: Global Trajectories
  • Critical Media Theory and Practice
  • Elementary German: Language & Culture
  • Intermediate German: Literature & Film
  • Advanced German: Politics, Media, History

  • German literature and critical thought from the 18th to the 20th century
  • European Modernism
  • Global Marxism
  • Postcolonial and Critical Race Theory
  • Critical Media Theory and Practice
  • German Film and Video Art
  • Literature and the Sciences
  • Memory Studies

Academic: 

  • “Hugo von Hofmannsthal and the Color of Classicism,” The Germanic Review: Literature, Culture, Theory, 97:1, May 2022 
  • “Broken Readings. Marx and Freud in Silkos Almanac of the Dead (under review, 2022)
  • “Reading Marx globally,” introduction to Gayatri Spivak, "Spivak-Marx: Für eine globalisierte Politik des Lesens" ["Spivak-Marx: Toward a Globalized Politics of Reading”] (in preparation, 2023)
  • Introductions to the essays collected in "Animismus. Revisionen der Moderne" ["Animism. Revisions of Modernity"], Berlin/Zürich: diaphanes 2012

Non-academic: 

  • “Surface Manifestations," Exhibition Pamphlet, Copenhagen: Overgaden, 2012.
  • “(Auto)Suspension. 1917, 1987, 2007,” in "Inventer le possible. Une vidothque phmre," application numerique pour tablettes, Paris, Jeu de Paume, 2014.