Calendar of Events
Below are upcoming events sponsored by the Stetson University Artists and Lectures Series.Click on the event date to learn more about the event and the amazing artists and lecturers we are hosting.
September 19-20, 2018 - Great Guitarists at Stetson: Berta Rojas
- September 19, 2018 – Masterclass, 3:30-6:30 pm, Presser 213
- September 20, 2018 – Recital, 7:30 pm, Lee Chapel
Berta Rojas ranks among today’s foremost classical guitarists. She has been praised as “guitarist extraordinaire” by the Washington Post and by Classical Guitar Magazine as “Ambassador of the classical guitar.”
Berta has been nominated three times for Latin Grammy Awards; in the category of Best Instrumental Album for Día y Medio - A Day and a Half, a duet with Paquito D'Rivera (2012), in the category of Best Classical Album, for her album Salsa Roja (2014), and more recently in the category of Best Tango Album, for her album History of Tango (2015), recorded with the Camerata Bariloche.
Berta’s acknowledged warmth and musicality have earned her the admiration of audiences at major venues worldwide: the Weill Recital Hall at Carnegie Hall and the Frederick P. Rose Hall of Jazz at the Lincoln Center, in New York, London’s South Bank Centre, the Kennedy Center in Washington D.C., the National Concert Hall in Dublin, where she performed as a soloist with the Irish Radio and Television Orchestra, and the Flagey Studio 4 in Brussels, where she performed with the Brussels Philharmonic Orchestra for Belgian National Television.
In 2011, with guest Paquito D’Rivera, Berta initiated the four-year tour “In the Footsteps of Mangoré” which followed the travels of Agustín Barrios, pioneer of the classical guitar in the Americas. The duo performed in 20 Latin American and Caribbean countries, concluding the journey at the national theater of the capital of El Salvador, final resting place of the celebrated composer.
Berta takes her audience on a colorful journey of sound, embracing new works by composers in diverse genres. The journey is echoed in recordings such as Cielo Abierto (2006) and Terruño (2009), as well as the duo with Carlos Barbosa-Lima on Alma y Corazón (2007) and the celebrated Intimate Barrios (2008) featuring works by the great Paraguayan composer and guitarist. On her latest recording, Felicidade (2017), she pays tribute to Brazilian music, with guest artists including Gilberto Gil, Toquinho and Ivan Lins.
In addition to continually enriching her own career through international tours and master classes, Berta Rojas is firmly committed to furthering and disseminating the classical guitar. A particular focus is on promoting the music of her country, Paraguay, as well as Latin American music more widely, and her ongoing support for the careers of young, upcoming guitarists.
With this aim, she created the first online classical guitar competition, the Barrios World Wide Web Competition, in 2009, and was the Artistic Director of the Ibero-American Guitar Festival at the Smithsonian Museum in Washington D.C., She also co-founded the young persons' Beatty Music Scholarship Competition for Classical Guitar, offering winners the opportunity to perform at the John F. Kennedy Center in Washington, D.C.
After initial studies in her native Paraguay with Felipe Sosa and Violeta de Mestral, Berta studied in Uruguay under Abel Carlevaro, Eduardo Fernández and Mario Payseé, and at the USA's Peabody Institute under Manuel Barrueco, Ray Chester and Julian Gray. She has recently joined the prestigious Berklee College of Music as Associate Professor, sharing her knowledge and love of music with a select group of young guitarists from all over the world.
Berta Rojas has been ranked amongst the most influential women in the Hispanic world (EFE and EsGlobal 2014; 2017). She has been named a Fellow of the Americas by the US Kennedy Center for the Performing Arts for her artistic excellence and honored by her country with the title Illlustrious Ambassador of Musical Art. In 2015 she was awarded the National Order of Merit of the Comuneros, and the title of Doctor honoris causa by two national universities. In 2017, in recognition of her outstanding contribution to culture, she received both the National Order of Merit Don José Falcón and the Carlos Colombino Award.
For more information, contact the School of Music at 386-822-8950.
January 17-18, 2019 - Great Guitarists at Stetson: Amadeus Guitar Duo
Amadeus Guitar Duo
- January 17, 2019 – Masterclass, 3:30-6:30 pm, Presser 213
- January 18, 2019 – Recital, 7:30 pm, Lee Chapel
Fascination of the Guitar: The Amadeus Guitar Duo
They are counted among the top-class international guitar duos, receiving enthusiastic reviews from all over the world. Canadian Dale Kavanagh and her German partner Thomas Kirchhoff have made up the Amadeus Guitar Duo since 1991. The secret of their success, regularly documented by more than 70 concerts per year, is the complete devotion of the two artists to their instrument. Hence they did not limit themselves to playing as a duo but began to concentrate on the repertoire for guitar and orchestra. Thanks to their commitment, this genre was soon able to emerge from its niche. In more than 100 cities, they played their "Spanish Night" recital, featuring concertos for one, two and four guitars and orchestra by Joaquin Rodrigo and the world-famous panpipe player Gheorghe Zamfir and they are considered as the specialists for works for guitars and orchestra.
The Amadeus Guitar Duo has so far appeared in more than 1.800 concerts in some 70 countries in Europe, Central, South and North America, and Asia. The duo has always been able to delight its audience with its exuberant temperament, virtuoso performance, sensitive creative power and a fulsome, warm, carrying guitar tone. They regularly play together with the Prague, Mainz and Mannheim Chamber Orchestras, the Munich Symphony Orchestra, the Halle Philharmonic State Orchestra, the International Philharmonie, the Gotha-Suhl Thuringian Philharmonic, the Philharmonia Hungarica, the Capella Cracoviensis, the Ankara President Orchestra and the South Westphalian Philharmonic.
Dale Kavanagh and Thomas Kirchhoff have recorded a large number of productions for radio and television (BBC, ZDF, CBC, WDR, BR, TRT, etc.). They have also recorded 17 CDs (NAXOS International, Haenssler-Classic) which document the high quality of the Amadeus Guitar Duo. The two artists' stirring commitment and inspiring style of playing have enabled them to considerably broaden the repertoire for guitar, especially for guitar and orchestra. Such renowned composers as Harald Genzmer, Gheorghe Zamfir, Roland Dyens (Paris), Jaime Zenamon (Curitiba), Christian Jost (Cologne), Carlo Domeniconi (Berlin), Gerald Garcia (Oxford), Martin Herchenröder (Siegen) have written orchestral concertos for them. Stephen Dodgson (London), Harald Genzmer (Munich), Jaime M. Zenamon (Curitiba) and Christian Jost (Cologne) have dedicated compositions for two guitars to them. All works have been published by Schott‘s, Mainz - Edition Margaux, Berlin, Edition Peters, Frankfurt, and Verlag Hubertus Nogatz, Essen.
In 1992 they founded the International Guitar Symposium in Iserlohn, which is today one of the most important festivals of its kind in Europe, with more than 300 participants from more than 50 countries, concerts featuring world-famous stars, master courses, lectures, exhibitions and many other activities (www.guitarsymposium.com).
They celebrated their 25th anniversary as the Amadeus Guitar Duo in the season 2016/17. In the season 2018-19, these successful musicians have been invited to tour the U.S.A., Canada, South-Korea, China, Thailand, England, Italy, Austria, Liechtenstein, Switzerland, Turkey, Lithuania, Romania, Hungary and Poland. Today, Dale Kavanagh and Thomas Kirchhoff live with their daughter Melissa-Rachel in Germany, and both are professors who have been teaching at the newly launched guitar class of the Detmold Musikhochschule since 2003 (www.hfm-detmold.de). The Amadeus Guitar Duo play exclusively D'Addario strings on guitars made in Germany by Toni Mueller, Aarbergen and Steven Walter, Chicago as well as on guitars made by MARTINEZ GUITARS, Guangzhou (Model Godoy III).
For more information, contact the School of Music at 386-822-8950.
February 7-8, 2019 - Lectures: Dr. Timothy Brophy
Dr. Timothy Brophy
- February 7, 2019– Lecture, Arts Assessment Rising: Music Assessment Systems in the United States, 6:00 pm, Stetson Room
- February 8, 2019– Lecture, "Music Assessment Practices: The Big Picture” 2:30 pm, Tinsley Hall (Presser 132)
Timothy S. Brophy is Director of Institutional Assessment at the University of Florida and Professor of Music Education. Prior to his appointment as Director, he was Assistant Dean for Research, Technology, and Administrative Affairs in the College of the Arts and a member of the music education faculty in the School of Music. He joined the University of Florida faculty in 2000. He is a multiple award-winning teacher and an established researcher who possesses advanced knowledge and expertise with organizational assessment systems and institutional, program, and academic assessment. He has published numerous articles and book chapters and is the sole author of three books, including the widely acclaimed Assessing the Developing Child Musician. He has edited and published the proceedings of the 2007, 2009, 2011, 2013, and 2015 International Symposia on Assessment in Music Education, and is sole editor of the upcoming two-volume Oxford Handbook on Assessment Policy and Practice in Music Education. Dr. Brophy has conducted workshop sessions and conference presentations throughout the United States, and in Australia, Canada, China, England, Greece, Holland, New Zealand, Indonesia, Italy, Malaysia, Norway, Spain, Sweden, and Taiwan.
Dr. Brophy holds national and international leadership roles in assessment, served as a past National Chair of the Assessment Special Research Interest Group of The National Association for Music Education, and founded the first Assessment Special Interest Group for the International Society for Music Education. He has extensive experience with test development and data collection processes for standards-based assessments and knows large-scale assessment structures and processes, policy, and state and national assessment issues. He has taught graduate courses in measurement and evaluation and possesses a working knowledge of psychometrics, classic test theory and item response theory. Dr. Brophy has focused international attention on assessment in music education as the Founding and Organizing Chair of the International Symposia on Assessment in Music Education (ISAME), a biennial series of symposia that began in 2007 and conducted around the world. He has served as an assessment expert on the New York State Arts Blue Ribbon Commission and as an assessment advisor to the International Baccalaureate in the Hague, Netherlands. Dr. Brophy is the SACSCOC liaison for the University of Florida, and serves on the SACSCOC Board of Trustees. He holds a Ph.D. in Music Education from the University of Kentucky, a Master of Music degree from the University of Memphis, and a Bachelor of Music Education degree from the Cincinnati College-Conservatory of Music.
For more information, contact the School of Music at 386-822-8950.
February 24-25, 2019 - Great Pianists at Stetson: Ignat Solzhenitsyn
- February 24, 2019– Recital, 3:00 pm, Lee Chapel
- February 25, 2019– Masterclass, 4:00-8:00 pm, Lee Chapel
Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world.
In 2018-19 Mr. Solzhenitsyn returns to the St. Petersburg Philharmonic with Gidon Kremer as soloist, conducts a new production première of One Day in the Life of Ivan Denisovich at the Bolshoi Opera, appears as piano soloist with Vladimir Spivakov and the National Philharmonic of Russia, and gives solo recitals in New York, Zurich, and St. Petersburg.
Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn is much in demand as a guest conductor, having recently led the symphonies of Baltimore, Buffalo, Cincinnati, Dallas, Indianapolis, Milwaukee, Nashville, Phoenix, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as many of the major orchestras in Russia including the Mariinsky Orchestra, the St. Petersburg Philharmonic, the Moscow Philharmonic, and the Moscow Symphony. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Steven Isserlis, Leila Josefowicz, Sylvia McNair, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida.
In recent seasons, his extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Saint Louis, Los Angeles, Seattle, Baltimore, Washington, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, James DePreist, Charles Dutoit, Lawrence Foster, Valery Gergiev, Krzysztof Penderecki, André Previn, Mstislav Rostropovich, Gerard Schwarz, Wolfgang Sawallisch, Maxim Shostakovich, Yuri Temirkanov and David Zinman. In addition to his recital appearances in the United States at New York’s 92ndStreet Y, Philadelphia's Kimmel Center, St. Paul's Ordway Theatre, Ann Arbor’s Hill Auditorium, Salt Lake City’s Abravanel Hall, San Francisco’s Herbst Theatre and many others from coast to coast, Mr. Solzhenitsyn has also given numerous recitals in Europe and the Far East in such major musical centers as London, Milan, Zurich, Moscow, Tokyo, and Sydney.
An avid chamber musician, Mr. Solzhenitsyn has collaborated with the Emerson, Borodin, Brentano, and St. Petersburg String Quartets, and in four-hand recital with Mitsuko Uchida. He has frequently appeared at international festivals, including Salzburg, Evian, Ludwigsburg, Caramoor, Ojai, Marlboro, Nizhniy Novgorod and Moscow’s famed December Evenings.
A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. Born in Moscow, Mr. Solzhenitsyn resides in New York City.
For more information, contact the School of Music at 386-822-8950.
TBA- Workshop - Lea Pearson, “Body Mapping”
Dr. Lea Pearson has been helping musicians find relief from pain and learn effective ways to move and play since 1998. One of the country’s leading Body Mapping Specialists, she works with professional and amateur musicians as well as students and teachers. (“Lea” rhymes with “Sea.”)
Education and Certification:
- Bachelor of Arts in Music, Education and Psychology from Hampshire College
- Masters of Arts in Performance Practice from Stanford University
- Doctorate of Musical Arts from The Ohio State University
- Licensed Andover Educator
- Certified Health Coach
Lea Pearson is the author of Body Mapping for Flutists: What Every Flute Teacher Needs to Know About the Body and numerous articles in professional magazines. Those publications and her years of successful pain-relief outcomes with musicians have gained her international acclaim. She is a sought-after trainer and speaker and has presented and taught workshops at more than 40 universities, military bases, conferences and conventions throughout the world.
Dr. Pearson embraces a teaching philosophy that supports each musician’s innate ability to create meaningful solutions. This approach empowers students to discover what is most useful for their own work and to make changes that improve sound, technique, breathing and ease of playing.
For more information contact:
School of Music
March 14-15, 2019 - Great Guitarists at Stetson, Guitar Extravaganza: Gohar Vardanyan, Matt Palmer and Rene Izquierdo
Gohar Vardanyan, Matt Palmer and Rene Izquierdo
- March 14, 2019 - Class Lecture/Performance: Gohar Vardanyan -The Guitar: Instruments, Styles, and Cultures (MUSC 186A for non-music majors) - 1 p.m.
- March 14, 2019 - Masterclass: Rene Izquierdo, 3:30-6:30 pm, Presser 213
- March 14, 2019 – Recital: Gohar Vardanyan and Matt Palmer, 7:30 pm, Lee Chapel
- March 15, 2019 - Masterclass: Matt Palmer, 9:00 am-12:00 pm, Presser 213
- March 15, 2019 – Recital: Rene Izquierdo, 7:30 pm, Lee Chapel
Widely admired for her technique, artistry, and passionate performances Armenian guitarist Gohar Vardanyan has performed throughout the United States and internationally. She has performed for numerous guitar societies, universities, and arts organizations, including the Smithsonian Institution in Washington, DC, Alice Tully Hall at Lincoln Center, and guitar societies in Seattle, San Francisco, Houston, Miami, and New York City to name a few. She has appeared on National Public Radio in the United States and Radio Nacional in Argentina. Ms. Vardanyan has performed with the Juilliard Opera Center and as a soloist with the Great Lakes Chamber Orchestra and Panama National Symphony Orchestra. She has also been a guest artist at International Guitar Festivals in Canada, Panama, Italy, and Mexico. She has been featured on the cover of Classical Guitar Magazine. Guitar International Magazine has described her as “the complete package,” “with musicality and emotional quality . . . that one would expect from someone much older than the young wunderkind. Not only is she able to draw you into her performances with engaging musical interpretations, but she has the technical facility that is required of any concert level guitarist.” Her playing has been described as “passionate,” “evocative,” and “virtuosic.”In addition to her performing career, Ms. Vardanyan is an avid teacher. She maintains a private studio in New York City and frequently teaches master classes and guitar technique workshops during her concert travels. Ms. Vardanyan is an author of four books from Mel Bay Publications with the fifth one of its way. She has an extensive list of instructive guitar videos on both her own channel and the Strings by Mail channel.Ms. Vardanyan began studying the guitar in her native Armenia at the age of five under the careful guidance of her father, Vardan Vardanyan. At the age of eight, she gave her first public performance and also appeared on Armenian National Television. She was the first prize winner in the Armenian National Music Contest “Amadeus” and was accepted into the prestigious group, “New Names,” for talented young musicians. She performed in numerous concert venues in Armenia, including Komitas Chamber Music Hall and the Small Philharmonic Hall. She went on to study with Antigoni Goni at the Pre-College Division of the Juilliard School. In 2001, Ms. Vardanyan studied with John Wunsch at the Interlochen Arts Academy. She was awarded the Young Artist’s Certificate from Interlochen Center for the Arts and the Harold Randolph Prize in performance from the Peabody Conservatory.Ms. Vardanyan holds a Master of Music Degree from The Juilliard School where she studied with Sharon Isbin and a Bachelor of Music degree from the Peabody Conservatory of Music where she studied with Manuel Barrueco. She is also an alumna of the Aspen Music Festival and School. Gohar Vardanyan is sponsored by Strings by Mail and plays on Royal Classics Recital strings.
Matt Palmer has appeared as a soloist throughout the United States, Europe, Mexico, Canada, South America, and the Caribbean. A recent recipient of the “Up and Coming Guitarist of the Year” award by Guitar International Magazine, Matt has been described by critics as “a young artist about to make a real dent in the world of classical guitar” (Premier Guitar Magazine), “highly expressive and technically virtuosic” (Modern Guitars Magazine), “a truly accomplished and refined musician” (Cleveland Classical), and “one of the world’s best guitar players” (The Royal Gazette). An active performer, winner of numerous guitar competitions, and author of The Virtuoso Guitarist method, Matt Palmer has gained worldwide recognition as a virtuosic and soulful concert artist. His numerous CD and DVD recordings have been applauded by Guitar International Magazine as “of the highest quality…with flawless technique, deep levels of personal expression and artistic integrity that seems far too rare these days.” Classical Voice of North Carolina proclaims Matt’s “positively nuclear” recordings display “stunning precision and unwavering accuracy enclosed in a huge dynamic envelope.” In addition, Matt’s pioneering guitar method, The Virtuoso Guitarist, has been recognized as a valuable addition to guitar pedagogy, and “indispensable for any advanced guitarist or teacher to include in their library” (Classical Guitar Review). Matt Palmer has collaborated with many important composers to write new music for the guitar, and has premiered and recorded over three hours of new works by Tanya Anisimova, Rafael Scarfullery, Sergei Rudnev, Giuseppe Torrisi, Roger Hudson, Olga Amelkina-Vera, Lane Harder, Konstantin Vassiliev, Itamar Erez, Holly Gwin, and Fedor Kondenko. Matt Palmer holds the Doctor of Musical Arts degree from The University of Arizona, where he studied with Thomas Patterson and Artists-in-Residence David Russell, Sergio Assad, and Odair Assad. In demand as a performer, his recent concert engagements have taken him to venues such as Carnegie Hall, Shakespeare Theatre, Benaroya Hall, The Guitar Foundation of America International Convention, numerous universities, guitar societies, and dozens of international guitar festivals throughout the world. Matt is the Director of Guitar Studies at Washington College in Chestertown, Maryland, and Coordinator of the Eastern Shore Guitar Festival and Workshop. Matt Palmer is a Strings By Mail sponsored artist and plays D’Addario strings. Matt plays a handmade guitar by luthier Michael Thames.
Rene Izquierdo, a native from Cuba, graduated from the Guillermo Tomas, Amadeo Roldan Conservatory and Superior Institute of Art in Havana. In the United States, Mr. Izquierdo earned a Master of Music and an Artist Diploma degrees from the Yale University School of Music, where he studied with Benjamin Verdery. While at Yale he represented the university in an exchange program with the Conservatoire National de Musique et de Danse du Paris and worked with guitarists Olivie Chassain and Roland Dyens. Rene has appeared as a guest soloist and in chamber music concerts throughout the United States, Cuba and Europe. He has shared the stage with prestigious guitarists including Eliot Fisk, Benjamin Verdery and Jorge Morel, as well as renowned flutist Ransom Wilson, soprano Lucy Shelton, David Jolley and Paquito d’Rivera. Renowned composers such as Jorge Morel and Carlos R. Rivera have dedicated works to him. Mr. Izquierdo is a recipient of numerous awards. He is a winner of JoAnn Falletta International Guitar Competition in 2004, Extremadura International Guitar Competition, Schadt String competition, Stotsenberg International Guitar Competition among others. He is currently a professor of classical guitar at the Wisconsin State University in Milwaukee and an active solo performer and chamber musician. Rene has studied with Leo Brouwer, David Russell, Shin-Ichi Fukuda, Eli Kassner, Pepe Romero, Angel Romero, Carlos Barbosa-Lima, David Starobin, Eduardo Fernandez, Jorge Morel, Robert Beaser and Anthony Newman among others. For more information contact: School of Music386-822-8950
March 19, 2019 - Great Pianists at Stetson: Boris Berman
- March 18, 2019– Masterclass, 5:30-7:30 pm, Lee Chapel
- March 19, 2019– Recital, 7:30 pm, Lee Chapel
The artistry of Boris Berman is well known to the audiences of nearly fifty countries on six continents. His highly acclaimed performances have included appearances with the Royal Concertgebouw Orchestra, the Gewandhaus Orchestra, The Philharmonia (London), the Toronto Symphony, Israel Philharmonic, Minnesota Orchestra, Detroit Symphony, Houston Symphony, Atlanta Symphony, St. Petersburg Philharmonic, and the Royal Scottish Orchestra. A frequent performer on major recital series, he has also appeared in important festivals, such as Marlboro, Bergen, Ravinia, Nohant, and Israel Festival, to name a few.
Born in Moscow, Boris Berman studied at Moscow Tchaikovsky Conservatory with the distinguished pianist Lev Oborin and graduated with distinction as both pianist and harpsichordist. He performed extensively throughout the Soviet Union as a recitalist and appeared as guest soloist with numerous orchestras, including the Moscow Philharmonic and the Moscow Chamber orchestras.
In 1973, Boris Berman left a flourishing career in the Soviet Union to immigrate to Israel. He quickly established himself as one of the most sought-after keyboard performers, as well as one of this country's more influential musical personalities. Presently, he resides in USA.
Boris Berman has been the Founding Director of the Music Spectrum concert series in Israel (1975-84) and of the Yale Music Spectrum series in the USA (1984-1997). These concert series were hailed by the critics for the inventiveness of their programming.
Mr. Berman is an active performer of chamber music. He had appeared in numerous concerts and festivals with such artists and groups as Misha Maisky, Heinz Holliger, Aurele Nicolet, Shlomo Mintz, Gyorgy Pauk, Ralph Kirshbaum, Frans Helmerson, Claude Frank, Peter Frankl, Natalia Gutman, Tokyo Quartet, Vermeer Quartet, The Netherland Wind Ensemble and many others.
A dedicated teacher of international stature, Boris Berman has served on the faculties of the world's finest schools, such as Indiana (Bloomington), Boston, Brandeis and Tel-Aviv universities. Currently, he heads the Piano Department at Yale School of Music. He also conducts master classes throughout the world. In 2005, he was named an Honorary Professor of Shanghai Conservatory; and in 2013, an Honorary Professor of Royal Danish Conservatory in Copenhagen. In 2017, he was given an honorary title of "Specially-appointed Professor" by China Conservatory in Beijing.
Mr. Berman's ability to recognize and commitment to nurturing young talents are obvious reasons for him being invited to join panels of jurors of various national and international competitions, such as those in Leeds, Dublin, Shanghai, and the Artur Rubinstein Competition in Tel-Aviv.
In the field of recordings, Mr. Berman's acclaimed releases on Philips, Deutsche Gramophon and Melodia labels were followed upon with 2 CDs of all piano sonatas by Alexander Scriabin for the Music and Arts label and a recital of Shostakovich piano works (Ottavo recordings), which received the Edison Classic Award in Holland, the Dutch equivalent of the Grammy. The recording of three Prokofiev Concertos with the Royal Concertgebouw Orchestra, Neeme Jarvi conducting (Chandos) marked the beginning of an ambitious project of recording the complete Prokofiev solo piano works. The first pianist ever to undertake this task, Mr Berman has released it on nine Chandos CDs to great critical acclaim. In addition, Chandos has issued Mr. Berman's recitals of works by Debussy, Stravinsky, and Schnittke, as well as chamber music of Janacek, and - together with Orchestre de la Suisse Romande under Neeme Jarvi - Concerto by Stravinsky.
Berman's most recent discography shows the breadth of his repertoire: a disc "Debussy for Children" (Ottavo); two releases of works for prepared piano by John Cage (Naxos), which was named the Top Recording by the BBC Music Magazine; the Grammy-nominated Piano Quintets of Shostakovich and Schnittke with Vermeer Quartet (Naxos); and, quite unexpectedly, a recording of Scott Joplin's Ragtimes (Ottavo). In the Naxos collection of complete Sequenzas by Luciano Berio, Berman plays Sequenza IV for piano. For the recording of Brahms Sonatas with the cellist Clive Greensmith (Biddulph label) he used an 1867 Bechstein piano. Most recently French label Le Palais des Degustateurs released Boris Berman's complete recording of Debussy Preludes, together with Estampes and other pieces.
In 2000, the prestigious Yale University Press has published Boris Berman's "Notes from the Pianist's Bench". In this book, Professor Berman draws on his vast experience as a performer and a teacher to explore issues of piano technique and music interpretation. The book has been translated into several languages. Mr. Berman is often invited to give lectures on these subjects in various universities and conferences around the world. In November 2017, Yale University Press has published the newly revised version of the book electronically enhanced with audio and video components.
In the spring of 2008, Yale University Press has published Boris Berman's new book "Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer". This book complements and is based on, his highly praised recordings of this repertoire. In 2011, Shanghai Publishing House has published a new bilingual edition of the scores of Prokofiev's piano sonatas, revised and edited by Mr. Berman. Based on manuscripts and first editions, this is the most authoritative edition of this repertoire available. In 2018-19, Boris Berman is performing and teaching in Austria, China, France, Great Britain, Holland, Italy, Portugal, Spain, and the USA.
For more information, contact the School of Music at 386-822-8950.
April 24, 2019 - The Wet Ink Ensemble
The Wet Ink Ensemble
- April 24, 2019, 6:00 pm, Second Stage Theater
Wet Ink is proud to celebrate 20 years of adventurous music-making in NYC and around the world with the 2018-19 concert season. The 20th Anniversary Season highlights the ethos of innovation through collaboration that has guided the work of Wet Ink throughout the ensemble’s history, celebrating the music and the unique performance practice developed in the “band” atmosphere of Wet Ink’s core septet of composer-performers, and presenting exciting new projects with emerging and underrepresented artists and longtime collaborators.
Since the group’s first concerts in 1998, Wet Ink has moved fluently along a continuum of composition, improvisation, and interpretation, from early collaborations with Christian Wolff, George Lewis, and ZS to pioneering portrait concerts of Peter Ablinger, Mathias Spahlinger, Anthony Braxton, and the AACM composers, and deep, long-term collaborative work by members of Wet Ink.
In that same spirit, Season 20 showcases the many facets of the group’s work - Fall 2018 highlights include a retrospective look at “classics” of Wet Ink’s repertoire and new projects by Sky Macklay, Rick Burkhardt, and Wet Ink’s four acclaimed composer-members (Alex Mincek, Sam Pluta, Kate Soper, and Eric Wubbels); the release of Wet Ink: 20 on Carrier Records, the debut album featuring the 28 musicians of the Wet Ink Large Ensemble; the release of Josh Modney’s Engage on New Focus Recordings, “one of the most intriguing programs of the year” (The New York Times) and the release of Kate Soper’s IPSA DIXIT on New World Records (and performance on Miller Theatre at Columbia University’s Composer Portrait: Kate Soper); and new collaborations with renowned creative musicians Darius Jones, Peter Evans (Being & Becoming),Charmaine Lee, Cory Smythe, and many others.
Wet Ink is co-directed by a core septet of world-class composers, improvisers, and interpreters that collaborate in band-like fashion, writing, improvising, preparing, and touring pieces together over long stretches of time. These directors are Erin Lesser (flutes), Alex Mincek (saxophone), Ian Antonio (percussion), Eric Wubbels (piano), Josh Modney (violin), Kate Soper (voice) and Sam Pluta (electronics). The Wet Ink Large Ensemble is a group of extraordinary New York City musicians that come together to play the world's most exciting and innovative music
For more information, contact Chaz Underinner via email at firstname.lastname@example.org or phone at 386-822-7263.